Contact details +6492127068
Stuart Hoar
Lecturer
School of Humanities Media and Creative CommResearch Outputs
Book
Hoar, S. (2013). Twenty New Zealand Playwrights. In M. Forster, & V. Plumb (Eds.) Twenty New Zealand Playwrights. (pp. 180 - 191). Wellington, New Zealand: Playmarket
[Chapter]Contributed to by: Hoar, S.
[Chapter]Contributed to by: Hoar, S.
Read Abstract: 

Creative Work
Hoar, SM. (2017). The big melt (A fifty minute radio play). (Radio Play)Radio New Zealand: Broadcast 3:04PM Sun 4 Jun 2017 National Programme, RNZ
[Composition]Authored by: Hoar, S.
[Composition]Authored by: Hoar, S.
Read Abstract: 

Hoar, SM. (2016). Dardanella. (Radio Play)National Programme, Radio New Zealand: New Zealand
[Composition]Authored by: Hoar, S.
[Composition]Authored by: Hoar, S.
Read Abstract: 

Hoar, SM. (2016). Backwards in high heels. (Radio Play)National Programme, Radio New Zealand: New Zealand
[Composition]Authored by: Hoar, S.
[Composition]Authored by: Hoar, S.
Read Abstract: 

Hoar, SM. (2015). Attitude Part Two. (Radio Play)Radio New Zealand: New Zealand
[Composition]Authored by: Hoar, S.
[Composition]Authored by: Hoar, S.
Read Abstract: 

Hoar, SM. (2015). Scherzo. (Radio Play)National Programme, Radio New Zealand: New Zealand
[Composition]Authored by: Hoar, S.
[Composition]Authored by: Hoar, S.
Read Abstract: 

Hoar, SM. (2014). Rendered (A full length stage play). (Full Length Stage Play)Auckland Theatre Company: Auckland, New Zealand
[Composition]Authored by: Hoar, S.
[Composition]Authored by: Hoar, S.
Read Abstract: 

Hoar, SM. (2014). Pasefika (Full length stage play). (Full Length Stage Play)Circa Theatre, Wellington: Wellington, New Zealand
[Composition]Authored by: Hoar, S.
[Composition]Authored by: Hoar, S.
Read Abstract: 

Hoar, SM. (2013). Terror and Virtue. (Radio Play)National Programme, Radio New Zealand: New Zealand
[Composition]Authored by: Hoar, S.
[Composition]Authored by: Hoar, S.
Read Abstract: 

Hoar, SM. (2013). Terror and Virtue. Radio New Zealand: National Programme, Radio New Zealand
[Composition]Authored by: Hoar, S.
[Composition]Authored by: Hoar, S.
Read Abstract: 

Hoar, SM. (2013). Attitude. (Radio Play)National Programme, Radio New Zealand: New Zealand
[Composition]Authored by: Hoar, S.
[Composition]Authored by: Hoar, S.
Read Abstract: 

Hoar, SM. (2013). The great art war (Full length stage musical). (Full length Stage Musical)Court Theatre, Christchurch: Christchurch, New Zealand
[Composition]Authored by: Hoar, S.
[Composition]Authored by: Hoar, S.
Read Abstract: 

Hoar, SM. (2012). The Smallest Universe in the World (Bright Star). Auckland Theatre Company: Auckland
[Composition]Authored by: Hoar, S.
[Composition]Authored by: Hoar, S.
Read Abstract: 

Hoar, SM. (2012). Bright Star. (Full length stage play)Auckland Theatre Company: Auckland, New Zealand
[Composition]Authored by: Hoar, S.
[Composition]Authored by: Hoar, S.
Read Abstract: 

Hoar, SM. (2012). Exile. (Full Length Stage Play)Auckland Theatre Company: Auckland, New Zealand
[Composition]Authored by: Hoar, S.
[Composition]Authored by: Hoar, S.
Read Abstract: 

Other
Hoar, SM. (2016). Script Advice. (pp. 65 - 67). Playmarket
[Other]Authored by: Hoar, S.
[Other]Authored by: Hoar, S.
Read Abstract: 

Hoar, SM. (2015). Drafts & redrafts. (pp. 66 - 67). Playmarket
[Other]Authored by: Hoar, S.
[Other]Authored by: Hoar, S.
Read Abstract: 

Hoar, SM. (2013). Under Construction. (pp. 27 - 27). Playmarket
[Other]Authored by: Hoar, S.
[Other]Authored by: Hoar, S.
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Teaching and Supervision
Summary of Doctoral Supervision
Position | Current | Completed |
---|---|---|
Co-supervisor | 1 | 1 |
Current Doctoral Supervision
Co-supervisor of:
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Nataliya Oryshchuk
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Doctor of Philosophy
Staging Migrant Dreams in Aotearoa: Theatrical representation of diasporic subjectivity as a creative expression of trauma.
Completed Doctoral Supervision
Co-supervisor of:
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2025
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Cynthia Hiu Ying Lam
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Doctor of Philosophy
Resistance, Healing and Empowerment through Autobiographical Therapeutic PerformanceCC ۣ (Love, Mum): A Solo Matrilineal Memoir and Autoethnographic Inquiry on Chinese Womanhood and 'The Good Woman' Ideal